Track Title Artist Time 01. The Bells of Notre Dame Paul Kandel, David Ogden Stiers, Tony Jay & Chorus 6:25 02. Out There Tony Jay and Tom Hulce 4:25 03. Topsy Turvy Paul Kandel & Chorus 5:35 04. Humiliation Score with Chorus 1:39 05. God Help the Outcasts Heidi Mollenhauer & Chorus 3:43 06. The Bell Tower Score 3:04 07. Heaven’s Light/Hellfire Tom Hulce, Tony Jay & Chorus 5:22 08. A Guy like You Jason Alexander, Charles Kimbrough, Mary Wickes & Mary Stout 2.54 09. Paris Burning Score with Chorus 1:54 10. The Court of Miracles Paul Kandel & Chorus 1:27 11. Sanctuary! Score with Chorus 6:01 12. And He Shall Smite the Wicked Score with Chorus 3:29 13. Into the Sunlight Score 2:09 14. The Bells of Notre Dame (Reprise) Paul Kandel & Chorus 1:09 15. Someday All-4-One 4:20 16. God Help the Outcasts Bette Midler 3:28 Review: Probably one of the more controversial titles in the Disney pantheon, The Hunchback of Notre Dame impressed critics with its grandiose and darker than usual subject matter. Seeking to echo these themes, Alan Menken (who has won eight Academy Awards from scoring Disney films), created a soundtrack with songs that were more dramatic and certainly darker than Disney scores prior.

Add new sql server instance. The first track, “The Bells of Notre Dame”, serves as exposition for its audience. It’s one of my favourite pieces, with the charismatic Clopin, leader of the gypsies, telling the tale of Judge Frollo’s murder of Quasimodo’s mother and the boy’s subsequent adoption. Its tone is light at first, but then descends to a haunting, thrilling chorus of Latin verses which grow to a majestic climax. Clopin’s voice returns in an airy form to set the theme for the film by asking, “Who is the monster and who is the Man?” He then finishes the song with an incredible falsetto that starts the film perfectly. The Bells of Notre Dame Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version.

You also need to have JavaScript enabled in your browser. Throughout the soundtrack, the songs explore and play on the themes of darkness and light. “Topsy Turvy” plays as intended, with lyrics that let loose by throwing everything out of place amidst a jangling jig.

An instrumental version of the original theme. [Instrumental Theme] Bells Of Notre Dame [The Hunchback.

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It’s a fun piece, with only a slight hint of menace in the celebrations. “Out There” has Frollo gravely lecturing Quasimodo of the dangers of the world outside, but when Frollo leaves, Quasimodo sings of heading out into the world and experiencing its joys. The song is uplifting and conveys the innocent hope perfectly to the listener. Helps that veteran Tom Hulce produces a magnificent performance as Quasimodo and is envied among many a struggling baritone. Furthering this juxtaposition of darkness and light is the song “Heaven’s Light, Hellfire.” Amidst light bells, Quasimodo sings of meeting Esmeralda (whom he calls an angel) and expresses his wish to see her again. In Frollo’s “Hellfire” piece, these bells turn into a mournful prayer of confession, which serves as the counterpoint to his torment and lust for Esmeralda. This motif occurs again several times in other parts of the soundtrack.