The Bernard Herrmann Society - Society for the Appreciation of the Music of Bernard Herrmann (1911-1975). Poster: The 7th Voyage of Sinbad. Interviews - An ongoing project by the Film Music Foundation Currently online is the first batch.

As fantasy films go, they don’t get much better than this. The 7th Voyage of Sinbad (1958) was also the seventh big-screen voyage of Ray Harryhausen, whose magical stop motion creatures populated Mighty Joe Young (1949, alongside mentor Willis O’Brien), (1953), It Came from Beneath the Sea (1955), The Animal World (1956 – a brief dinosaur sequence for Irwin Allen’s documentary), Earth vs. The Flying Saucers (1956), and 20 Million Miles to Earth (1957). The chief difference was that Harryhausen was now shooting in full color widescreen, which presented the artist with new technical challenges, and which allowed producer Charles H. Schneer to rebrand the process as “Dynamation” as a marketing hook. It was a low budget film for Columbia Pictures that had a first-class sheen.

With location shooting in Spain and a score by Hitchcock favorite Bernard Herrmann at the peak of his career (this was the year of Vertigo), The 7th Voyage of Sinbad became a landmark fantasy film, every bit as influential – if not more so – than the film which inspired Harryhausen, Alexander Korda’s The Thief of Bagdad (1940). It was the film that launched a thousand monster kids, and now it’s finally received the treatment it deserves in a U.K. Blu-ray/DVD limited edition box set that can also be called landmark, Indicator’s The Sinbad Trilogy, which bundles 7th Voyage with its belated but very fun sequels (1973) and (1977).

Sourced from a new 4K restoration, The 7th Voyage of Sinbad is the jewel of the set, but the whole box is as fan-friendly as imaginable: finally the movies are stuffed with extras, including new and vintage interviews, promo clips and documentaries, the Super 8 versions, and a thick booklet with detailed production notes on each film. Best of all, it’s region free, so American fans should jump on this box set while they have the chance.

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Sinbad (Kerwin Mathews) and the miniature Princess Parisa (Kathryn Grant). Harryhausen had been trying to get 7th Voyage off the ground for years, but was unable to convince studios that audiences would be interested in his brand of Arabian Nights spectacle, the genre having been run into the ground. He was stuck instead in the 50’s giant-monster rut (admittedly producing some of the best examples of its kind). A talented draftsman, he had produced a number of detailed drawings of key sequences from the film to help sell it: the cyclops roasting a sailor on a spit and crushing another with a tree; a giant baby Roc being dragged from its egg; Sinbad battling a living skeleton on a spiral staircase; a confrontation with a dragon. He didn’t have a story, though, and when Schneer was able to convince Columbia to finance the film at last, TV writer Kenneth Kolb was hired to tie those drawings together into a coherent Arabian Nights pastiche. You might think that story should come first, but this approach became key to the film’s indelible appeal.