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TrouserPress.com:: Gregory Isaacs   artist  album title  keyword     GREGORY ISAACS () In Person (UK Trojan) 1975 + 1983 All I Have Is Love (UK Trojan) 1976 (Tad's) 1983 The Best of Gregory Isaacs Vol. GG) 1977 Cool Ruler (Front Line) 1978 Soon Forward (Front Line) 1979 The Lonely Lover (Pre) 1980 Showcase EP (Jam. Taxi) 1980 The Best of Gregory Isaacs Vol.

GG) 1981 The Early Years (UK Trojan) 1981 Extra Classic (Shanachie) 1981 More Gregory (Mango) 1981 The Sensational Gregory Isaacs (Vista) 1982 Night Nurse (Mango) 1982 Mr. Isaacs (Shanachie) 1982 Lover's Rock (Pre) 1982 Crucial Cuts (Virgin) 1983 Out Deh! (Mango) 1983 Live at the Academy Brixton (Rough Trade) 1984 Reggae Greats (Live) (Mango) 1984 Easy (Tad's) 1985 Private Beach Party (RAS) 1985 Victim (C&E) 1987 Watchman of the City (Rohit) 1987 Red Rose for Gregory (RAS) 1988 Sly and Robbie Presents Gregory Isaacs (RAS) 1988 I.O.U. (RAS) 1989 Slum (In Dub) (Burning Sounds) 1989 Dancing Floor (Heartbeat) 1990 Once Ago (Front Line) 1990 Cool Ruler/Soon Forward (Front Line) 1990 Call Me Collect (RAS) 1990 My Number One (Heartbeat) 1990 Come Again Dub [tape] (ROIR) 1991 Love Is Overdue (Network) 1991 GREGORY ISAACS AND DENNIS BROWN Judge Not (Greensleeves) 1984 Two Bad Superstars (Burning Sounds) 1984 No Contest (Music Works) 1989 The Cool Ruler, Gregory Isaacs, is one of the best-loved and most durable reggae singers. Highly prolific (he writes nearly all his material) and business-savvy (he runs his own Jamaican label, African Museum), Isaacs' voice is still the key to his success.

His delivery is marked by a combination of ice and fire rare even among soul singers — an urgent longing, tempered with cool control. Although comparable to a Jamaican Al Green or Marvin Gaye, Isaacs is a completely unique stylist. His repertoire is equal parts lovers rock and Rasta protest; the link is his seductive delivery. Whether he's urging romance or reform, the call to action will give you goosebumps. Like many popular reggae performers, however, Isaacs' recording career is a confusing jumble. His early work involved a number of producers. Sensational, for instance, has one side produced by Rupie Edwards and one by Ossie Hibbert, resulting in a mix of hits ('Black and White,' 'Mr.

Know It All') and duds. Extra Classic compiles his work with Pete Weston and Lee Perry, as well as his first self-produced sessions. While also spotty, the record offers early proof of Isaacs' authority and strength as a songwriter. Isaacs' career began to move under the guidance of producer Alvin Ranglin. Their collaboration is chronicled on the two excellent Best Of collections.

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Though available only as Jamaican imports, these consistently strong LPs are worth finding, and crucial for fans. Another Ranglin/Isaacs session, In Person (which includes the UK hit, 'Love Is Overdue') is available on Trojan, along with an LP produced by Sidney Crooks, All I Have Is Love. Both are of mixed quality, but Trojan took the best from each and combined them with a third batch (produced by Winston 'Niney' Holness) for The Early Years, good all the way through.