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Developed under license from Solid State Logic, the Waves SSL 4000 Collection consists of three meticulously modeled plug-ins: the SSL G-Master Buss Compressor, the SSL G-Equalizer, and the SSL E-Channel. Now, the classic sound of the SSL 4000 Series can be your sound. The SSL G-Master Buss Compressor Based on the renowned SSL 4000 G console, perfect for finalizing mixes and more. • Ideal for taming dynamics or adding punch • With switchable analog modeling • Includes SSL's adjustable Autofade feature The SSL G-Equalizer Modeled on the SSL G Series EQ292, the engineer's choice for creative sound shaping.

• Four-band equalizer offering greater gain change • Delivers the original's pre-boost dip and pre-cut rise • Features a broad Q for extreme equalization The SSL. Developed under license from Solid State Logic, the Waves SSL 4000 Collection consists of three meticulously modeled plug-ins: the SSL G-Master Buss Compressor, the SSL G-Equalizer, and the SSL E-Channel. Now, the classic sound of the SSL 4000 Series can be your sound. The SSL G-Master Buss Compressor Based on the renowned SSL 4000 G console, perfect for finalizing mixes and more. • Ideal for taming dynamics or adding punch • With switchable analog modeling • Includes SSL's adjustable Autofade feature The SSL G-Equalizer Modeled on the SSL G Series EQ292, the engineer's choice for creative sound shaping.

Waves Version 7 represents the latest step in the evolution of Waves. With improved compatibility across the board, enhanced DAW and OS support, and a host of new features, V7 will take your Waves experience to new heights. Waves Version 7 represents the latest step in the evolution of Waves. With improved compatibility across the board, enhanced DAW and OS support, and a host of new features, V7 will take your Waves experience to new heights.

Hi graham, Can you share some tips on how to work with compressors that have automatic make-up gain? My current work flow for compressing drums is this: first i set the threshold to 0 (max) and dial the ratio setting to the highest. I first lower the threshold until i get the slap effect that i want without squashing the sound.

I will then dial the ratio back to 1 and then slowly increase it until i get my desired sound. Make-up gain comes afterwards. I find that when i use compressors auto make-up gain like logic’s silver compressor, the sound gets louder fairly quickly even before any compression actually begins to happen. Do you ever find this an issue? And could you also share how auto makeup gain in compressors like the ssl channel strip actually work? Nice one Graham as always very well explained and simple to understand. I’m learning this plug in just now and was reading the manual and watching other tutorials and was getting a little confused by the internal routing options and you just explained it.

Maybe you can help me with the split button in the filter section – I saw one tutorial where the mixer said if you press the split button in the filter section those frequencies wont be effected by the compressor? Surely if the filter section is before the compressor i.e.

– filter section,eq section,compressor section it will be effected by the compressor or am i missing something here? Thanks Graham much appreciated •. Graham, these plugins came out probably 10 years ago. What is you opinion on the fact there has been tremendous technology advances on our ability to model anything from audio devices to amps. I feel like there is not much in the way of updates for these plugins other than updates to make them compatible with new platforms such as a new version of windows. Do you feel like they were already good enough or have their been updates that I’m not aware of?