Adobe Indesign Arabic Script Font
Thank you for sharing. You will have no doubt seen the samples of Maryamsoft's Mir Emad at the following page: Also, the Maryamsoft typefaces in general: Also, the discussion -- with flowers -- about its development and how it compares to Tasmeem (also with samples): What I understand from your list is that different people are developing different engines especially to use their own fonts -- either for calligraphy or for running text. Presumably, one can't use the nastaliq font from Maryamsoft and use it with Adoos, or vice versa.
Solution: To properly scale the image to the appropriate dimension, you can use either of the following procedures: • ALIGN (Command) • Draw a line that is at the proper length (Ex: If the dimension shows 25', draw a line at that length) • Type ALIGN into the command line and press Enter • Alternatively you can find this command on the Modify Panel on the Home Tab in the Ribbon • Select the image you want to scale and press Enter • Specify the first source point, and then click the corresponding destination point. Gratis tutorial autocad 2007 bahasa indonesia yang.
Maryamsoft, therefore, has an advantage in that they have a choice of 32 typefaces (some in different weights) whereas Adoos only have 4. However, Adoos has a demo and Maryamsoft does not have any demos for Qalam Bartar and Mir Emad, as far as I can see.
If someone sets some Arabic in ID, you'll be able to open it, but the tools to work with it are only exposed by Adobe in the ME edition. That's why Peter mentioned World Tools - it's a plugin that exposes RTL tools for Arabic, Hebrew etc. In other verisons of InDesign.
Design-wise related, although the font and software are developed independently: by Thomas Milo and Mirjam Somers from DecoType. A fully customized job, from the design of the font all the way up to displaying it in a compatible way in browsers. A few quotes (my transl.): There is nothing special about a web Koran: various sites offer a digital version, such as those of the Ministries of Religion of Kuwait, Qatar, and Saudi Arabia. But this design is 'radically different', says Milo (67), because of the technique. 'This does full justice to the original Arabic writing style on a computer screen.' 'We taught the computer scribal grammar, that means: how will letters be connected, and how should they adjust to the next letter. Together with my brother, I wrote an algorithm to do this.'
[Original article in Dutch.