Freelancer Ryan Summers shares production tips and hidden features in Cinema 4D. Freelancer Ryan Summers shares production tips and hidden features in Cinema 4D. Learn how to edit multiple reflections and the Select Materials with Same Reflectance command. Cinema 4D Release 18 adds the ability to edit the Reflectance of multiple materials.

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Because C4D’s Reflectance interface allows unlimited combinations of reflectance layers and types, only materials that have the same number and type of layers can be multi-edited. A flag in the upper-right corner of the the material preview indicates similar materials, and they can be selected easily with the Select Materials with same Reflectance command. Python and C++ ColorSwatch API offers plugin potential.

Cinema 4D Release 18 introduces an API to manipulate the color swatches within the Color Chooser, and as a result developers are able to offer more options that relate to color. In this QuickTip, we’ll offer a sneak peek into the new functionality for SwIm 3.0 that’s made possible by the new Color Swatch API. You’ll learn how to export ASE files from your Adobe Creative Cloud library via Illustrator, and import those ASE files into Cinema 4D via SwIm. You’ll also see how to create materials, gradients and multishaders from selected swatches. SwIm 3.0 is not yet available, but you can. Nokia snake game.

Freelance motion designer Brett Morris demonstrates several techniques used in the creation of a motion response for Pause Fest. Freelance motion designer demonstrates several techniques used in the creation of a motion response for Pause Fest. Brett begins with an X-Particles setup used to create and mesh particle trails across a sculpted bust. Next he demonstrates how displacement deformers and Cinema 4D shaders can be layered to create a landscape with sedimentary rings. Finally, you’ll see how complex landscapes can be proxied for quick scene setup and then rendered in Octane. 01:39 PauseFest Motion Response 07:47 X-Particles in Yo Face 13:13 XP Trails and Skinner 18:36 Alembic Caching 22:44 Displace Deformer Landscape 28:24 Sediment Lines 36:35 Octane Render Process Aug 16 2016.

Watch as Chad Ashley of GreyscaleGorilla.com uses the new features of Cinema 4D Release 18 to create a classic disaster movie VFX shot, a lush forest, and a sweaty beer can. Watch as Chad Ashley of uses the new features of Cinema 4D Release 18 to create a classic disaster movie VFX shot, a lush forest, and a sweaty beer can. Chad begins with a quick look at R18’s new viewport, complete with SSAO and reflection preview. Next he breaks apart a road with Voronoi Fracture and Rigid-Body Dynamics, and sends cars flying in every direction.

Chad also shows how C4D’s Soft-Body Dynamics can be used to crush a car. Changing gears, Chad demonstrates R18’s Push Apart Effector, and shows how it can be used in conjunction with Arnold Procedurals to populate a lush forest. He also shows GSG’s new HDRI Link plugin to quickly preview and use their HDRI collections in third-party render engines like Arnold or Octane. 04:41 R18 Viewport Enhancements 06:07 VFX Road Voronoi Fracture 09:17 Dynamics Setup for Road Fracture 12:16 Dynamic Car Proxies 15:51 Crushable Car (Softbody Dynamics) 19:22 Push Apart Effector 21:11 Generating Arnold Procedurals 24:22 Populating Trees with Push Apart and Arnold 27:57 GSG HDRI Link with Arnold 30:34 Can Sweat using Push Apart 36:22 Sculpting beads of water 38:39 Cloner Polygon Scale Finally, Chad shows another great use for Push Apart - creating beads of sweat or condensation on a beer or soda can. Sekani Solomon of Imaginary Forces shows a new animation for The Dolby at AMC Prime Preshow.

Imaginary Forces, New York was engaged to design a new animation for The Dolby at AMC Prime Preshow. Sekani breaks down many parts of the animation in great detail. This project includes some incredibly sophisticated Xparticles, character animation, MoGraph and Take System techniques. PLEASE NOTE: The recording system crashed right at the beginning of Sekani’s presentation. His explanation of what he will be covering is missing.

So, first you will see the actual Preshow animation and then it goes straight to Sekani’s breakdown of the particle effects on the bird. The beginning of this section was also cut off, but we were able to splice in the first few steps from another Sekani presentation. So the actual material is complete.

00:19 The Dolby at AMC Prime Preshow 02:32 Adding the Xparticles Effects on the Bird 08:32 Animating the Bird 12:44 Using The Take System 15:39 Using Xparticles Over a Landscape for Exits Message 16:50 Baking Xparticles for MoGraph Use 22:29 Creating the Exits 24:43 Creating the Suspect Dudes 32:32 Creating the Electric Particle Tree Effect 38:54 Quick Take System Demo Aug 16 2016. Nick Campbell of GreyscaleGorilla.com demonstrates the power and flexibility of the new Voronoi Fracture tools in Release 18. Nick Campbell of demonstrates the power and flexibility of the new Voronoi Fracture tools in Release 18. Includes fracturing basics, using dynamics with fracturing, fracturing text and organic objects, texturing and lighting effects, and more.