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The other thing is stability. My GH3 has yet to lock up. My GH2 has locked up often, no matter how 'stable' a hack is. And then there's also the dreaded 'out of space' or numbering error, where the camera says it can't record but there's still lots of space available. Oh and also the inability to play back clips.

There are a lot of frustrations with the GH2. Sure you can get great video, but there are compromises that you have to live with. If you're shooting anamorphic, remember that the GH2 is a 1.86x crop, GH3 is 2x crop. This does matter on how wide you can shoot with an anamorphic.

@ Andy: I know you're a long time user so I'm not going to argue too much. I used to run Quantum 9B too.

But I think at the very least you need to run a hack on the Panasonic V1.1 firmware. Much more options, much better matrix. So Quantum X is good, but I think Flowmotion is one of the best. Of course there's Moon, etc etc, too many hacks to count now. But in my 2 years working with hacked GH2s, none are completely stable. Even Quantum 9B crashed on me.

Reason I switched to Flowmotion, with much more consistent results at a lower bitrate with almost no loss in quality and better spanning too. But time has moved on. The GH3 is just so much more the camera that works in a production environment. I just can not afford to have a camera crash on me.

It's happened, and it's embarrassing to tell a client 'sorry the camera crashed and I lost the data'. I really like the look from both cameras, but really it's nitpicking to think that the GH3 isn't a good camera. It is good and it works. I just prefer the look of the GH2 compared to the GH3 from all the tests Ive done with both cameras I works for me! I guess it depends on what you're shooting.

He's shooting in front of a client so it's safe to say he doesn't need cinematic results, just nice looking video. I've yet to see any GH3 footage that looks as good as (and by 'good' my definition is not immediately like videocamera output) the best non-hacked GH2 footage I've seen. I think you're right, Panasonic somehow lost their recipe in the GH1 and GH2 sensors, similar to how Canon never really were able to repeat the secret sauce in the 5DmkII with anything else. Once the BM pocket version hits the streets the GH3 will be rendered pretty much irrelevant. Panasonic would need to price it like a GoPro to try and keep it in the game. A used gh2 with a hack is the best investment now. I think the images look more analogue less nasty.

Gh1 and gh2 without hacks gave supreme moving images for size and cost. Rough waters ahead it is going to start getting ugly why waste money on new gh3. It may not be the black magic that wins. Dalsa had the best 4k movie camera better pictures than red who remembers them. Red had it for a while until alexa stole the show. Black magic rocks the boat enough for sony,fuji or panasonic to reply. Gh3 sensor looks like video if you like the look of last years camera get it.

For me the GH2 was absolutely great! I never had any quirks and it was always reliable (I used the 'Vanilla hack') Image is also very good 'out of the box' for my taste.

I sold it (bad idea) and bought the GH3 therefore. There are things which are also great about that camera: Get rid of AVCHD!

Much better feel and weatherproof! Better photos (for my taste)! I prefer 2x crop (better/wider with anamorphics)! Dynamic range of the GH3 really is that much better over GH2. I recently captured video in very foggy conditions and later during grading I could make things visible my eyes couldn't see when I was shooting - that was really astonishing. But at first glance I preferred the image of the GH2 (still not sure what 'cinematic' really means?

I always thought for many it means 'get as shallow depth as you can' but that is not my cup of tea because that is not so filmic). For me the Sony heritage in the GH3's chip reveals itself in how it handles highlights as well as biasing towards a 'cold' image compared with other sensors. You can remove the cold feel or any color bias in your grade but there's nothing you can do about electric, harsh highlights. Both the GH1 and GH2 don't feel as harsh and electronic.

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