The first Final Fantasy to tackle a grander storyline than the usual ‘save the crystals and save the world’ affair. It reverts the setup Square Enix had popularised by the time it came out in the early ‘90s in favour of telling an ambitious (and often bonkers) story with proper character arcs. The result is a JRPG with a fantastic narrative that propels the journey each of the cast embark upon. Even the party formation is determined by the events of the story rather than being dictated by you. This is also the first Final Fantasy to use the Active Time Battle system, an iconic design that Square Enix used until the release of Final Fantasy X.

All those factors combined, it is fair to say that Final Fantasy IV is the first truly ‘epic’ Final Fantasy, and an essential play to boot. Final Fantasy VII Hands down the most well-known Final Fantasy, and possibly the strangest one to date, Final Fantasy VII remains a game that is heavily discussed. Final Fantasy VII’s narrative is brave even by modern videogame standards, with a plot defined by tragedy that is often interspersed with bizarre story scenarios and minigames. Its polygonal graphics may not have aged well but they do add to the endearing charm of the game – especially when coupled with the game’s amusingly bad translation. Do not be deterred, however, as each of VII’s individual parts – from its fantastic battle system and unconventional cast, to its incredible score – help demonstrate why it is beloved to so many. Final Fantasy VIII Looking back, the idea of creating a follow-up to a game like Final Fantasy VII seems like an insurmountable task.

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In response to that challenge, Square Enix ripped up the rulebook, creating a sprawling sci-fi world with barely a crystal in sight for Final Fantasy VIII. While the game’s Draw mechanic – a system that lets you steal magic from enemies in order to cast spells and boost stats – was divisive, Final Fantasy VIII’s wonderfully-told story is utterly charming. Against a backdrop of giant robots and never-ending war, Final Fantasy VIII takes you on a delightful coming-of-age story with the child soldiers of SeeD – most notably protagonist Squall and resistance fighter Rinoa – whose relationship remains one of the most elegantly told love stories in games.

Final Fantasy IX Square Enix’s ode to Shakespeare and Greek tragedies, Final Fantasy IX’s aesthetic is rooted in the sublime nature of theatre – from its opening scenes of the performance conducted by the Tantalus crew, right down to the character designs themselves. A startling contrast to its two predecessors, IX boasts a beautiful steampunk world realised with impeccable detail. This extends to the game’s dialogue, which has the main characters talk in stirring monologues while the rest of the cast speak in poetry.

At first glance, the plot, in which the characters set out to save a world gripped by war, can seem a little toofamiliar. However, it is the compassionate tone of the game, and the questions it asks about humanity and where we belong, that proves its most mesmerising facet. In true Final Fantasy fashion, where misfortune looms and humour always follows, Final Fantasy IX excels at comedic setpieces, too. Also, sorry to all VIII fans, but Tetra Master is a better minigame than Triple Triad. Final Fantasy X/X-2 HD One of the most polarising games in the series, Final Fantasy X overhauls a lot of the conventions established in previous titles.